However, despite her appreciation for the Salon’s publicity, Cassatt felt restricted by its strict guidelines. This helped establish Cassatt as a forerunning painter in France and she continued to submit work to the Salon for several years. This made her one of the first two women artists to have their work exhibited at the Salon, the other artist being Elizabeth Jane Gardner. In 1868, one of Cassatt’s pieces entitled A Mandolin Player was accepted for exhibition by the Paris Salon. This earned her enough money to travel to Europe and continue working as an independent artist.Įxhibiting At The Paris Salon The Mandolin Player by Mary Cassatt, 1868 Finally, her work caught the eye of the Archbishop of Pittsburgh, who invited her to Parma for a commission of two Correggio copies. She then traveled to Chicago to try her hand at selling her art there, but unfortunately lost some pieces in the Great Chicago fire of 1871. She tried to sell paintings at galleries to earn money but to no avail. While her basic needs were taken care of by her family, her father, still resistant to her chosen career, refused to provide her with any art supplies. Sylvestre.ĭuring Cassatt’s brief return to the United States in the 1870s, she lived with her family in Altoona, Pennsylvania. Cassatt also studied with French landscape painter Charles Chaplin and Thomas Couture, a French history painter who also taught artists such as Édouard Manet, Henri Fantin-Latour and J. Classic elements of this style included rich patterns and bold colors as well as intimate spaces. One of the private tutors she studied under in Paris was Jean-Léon Gêrôme, a well-known instructor regarded for the eastern influences in his art and his hyper-realistic style. Study With Jean-Léon Gêrôme And Other Famous Artists In Paris She also took private lessons from the instructors at the École des Beaux-Arts, as women were technically not allowed to enroll. She learned about the Old Masters of the European Renaissance, spending many days copying masterpieces in the Louvre. She was not allowed the same privileges as the male students she was not permitted to use live models as subjects and was thus confined to drawing still lifes from inanimate objects.Ĭassatt decided to leave the course and travel to Paris to study art independently. However, she was bored by the tedious pace of the courses and found the attitudes of the male students and teachers towards her condescending. Her family did not, however, encourage Cassatt’s career as an artist.Įven though her parents objected, Cassatt enrolled in the Pennsylvania Academy of the Fine Arts when she was 15 years old. She was also encouraged to travel and learn many languages and lived abroad for several years. She was brought up and taught to be a well-to-do wife and mother, learning embroidery, sketching, music and homemaking. Her father was a very successful investment and estate stockbroker, and her mother was from a large banking family. Mary Cassatt Was Born Into An Affluent Family Child in a Straw Hat by Mary Cassatt, 1886, NGAĬassatt was born in Allegheny City, Pennsylvania to Robert Simpson Cassatt and Katherine Johnson.
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